The magnificent DG120 Gala Concert at Beijing Forbidden City is just the beginning.
The DG120 VIDEO COUNT-UP series brings you to a 120-day-long journey to witness the amazing 120 years of Deutsche Grammophon.
11 Oct 2018
The première of Leonard Bernstein´s West Side Story took place in New York in 1957. At the piano was the famous Stephen Sondheim, who wrote the lyrics for the musical.
Decades later, Gustavo Dudamel, at the podium, goes over the music with his beloved Simon Bolivar Symphony Orchestra in Caracas, Venezuela.
Leonard Bernstein (composer)
Gustavo Dudamel (conductor)
“West Side Story” – Symphonic Dances, 4. Mambo
Simón Bolívar Youth Orchestra of Venezuela
12 Oct 2018
At nearly six foot ten, with his wild hair and flowing beard, the Dutch pianist resembles a friendly giant from a book of children’s fairy tales. But his playing – understated, haunting, melancholic – marks him out as the gentlest of giants, his delicate melodies soothing the soul in these troubled times.
“The world is a hectic place right now,” says Joep. “I feel a deep urge to reconnect on a basic human level with people in general. Music as our universal language has the power to unite. Regardless of our cultural differences I believe we have an innate understanding of what it means to be human. We have our goosebumps to show for it.” In his Ab Ovo, let the connection be rebuilt.
13 Oct 2018
Russian pianist Evgeny Kissin is one of the most distinguished musicians of his generation, revered the world over by audiences and critics alike for the virtuosity and eloquence of his pianism and the imagination and insight of his interpretations. He was recently described by the Financial Times (London) as a “formidably intelligent pianist” and hailed by the New York Times for his “blend of technical mastery and eloquent artistry”.
At the age of six, he enrolled at Moscow’s Gnessin School, an elite establishment for young musicians, where he received lessons from Anna Pavlovna Kantor, who became his only teacher. Kissin’s progress was such that he gave his first full performance with orchestra at the age of ten, making his debut with Mozart’s Piano Concerto in D minor K466; he presented his first recital in Moscow the following year.
14 Oct 2018
In the past, there never seemed to have been one great artist associated with the accordion, an instrument that, because of its connotations, seemed as far removed from swing as it is possible to be. Then along came Richard Galliano, fired by an unrivalled determination to share his conviction that the accordion was worthy have a place at the heart of jazz alongside the saxophone and trumpet. This interpretation of Mozart takes the art of accordion one step further. Accordion, in his hands, finally finds its place in vast world of traditional classical music.
15 Oct 2018
Just 23, Canadian pianist Jan Lisiecki has won acclaim for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility. The New York Times has called him “a pianist who makes every note count”. Lisiecki’s insightful interpretations, refined technique, and natural affinity for art give him a musical voice that belies his age. This perform of Chopin´s Nocturne in C sharp minor reveals to you the future of classical music on the shoulders of the new generation of artists.
16 Oct 2018
Armed with formidable technical mastery and profound musical sensitivity, Alice Sara Ott stands among the most compelling artists of her generation. The German-Japanese musician’s poetic pianism, hailed by critics for its refinement and intensity, has prompted favourable comparisons with great performers from the past. Ott’s music-making is guided by a desire to connect with the essential spirit of the works in her repertoire; above all, it flows from her innate ability to channel a vast range of emotions and imaginative responses into every performance.
17 Oct 2018
Praised as “superbly subtle and virtuosic” (The Arts Desk) and “an amazingly accomplished artist” (Classical Source), Ksenija Sidorova is the leading ambassador for the accordion. Encouraged to take up the instrument by a grandmother steeped in the folk tradition of accordion playing, Ksenija started to play the instrument aged eight under the guidance of Marija Gasele in her hometown of Riga. Her quest for more exposure to both classical and contemporary repertoire took her to London where she became a prize-winning undergraduate at the Royal Academy of Music studying under Owen Murray. This Performance of Bizet’s Carmen will renew your perception about accordion again.